Articles in the Review Category
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New Theatre
Tuesday 9th – Friday 12th March; 7.15pm & Saturday 13th March 2pm and 8pm
“Highlights of the show most notably included a dramatic kick-back to the Seventies, with an impressive rendition of ‘Car Wash’ opening the set and culminating in a spectacular display of costumes, dance, and lighting effects, not to mention some stellar soloists.” Jennifer Kratz
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Oxford Playhouse
Tuesday 9th March-Saturday 13th March, 7.30p.m.
“the very fact that the audience feels guilty, voyeuristic, intrusive, is a testament to the powerful staging.” Pooja Bharat
“The whole cast oozed quality but the highlight performance of the play was Romola Garai’s portrayal of the cantankerous and irritable middle sister Masha Prozorov, who injected moments of humour into the play.” Catherine Owen
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Burton Taylor : Tuesday 9th -Saturday 13th March; 7.30pm
“I couldn’t help feeling that many of the lines were delivered in a laboured and over-stressed way, particularly in the case of the Miller (Griffith Rees), who at times inexplicably resembled a pantomime villain and not the supposedly educated and intelligent man he was intended to be.” Madeline Wright
“Griffith Rees, however, is excellent as the enlightened outcast, the village miller. At first an insidious social pariah, Rees’ performance subtly develops the different facets of his character, as a man possessed of compassion …
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Teddy Hall’s Old Dining Hall
Sunday 7th March 2pm, 7.30pm, Monday 8th and Wednesday 9th March, 7.30pm
“The most spectacular performance was undoubtedly that of the Duchess herself, played Hannah Daly. This tricky and exhausting role – one of the most interesting female roles of this period of theatrical history – needs a powerful and convincing stage presence which Daly fully supplied.” Katie Newman and Katy Parkes
Headline, New Writing, Review, on stage »
Judged and reviewed by Imogen Sarre and Liv Edwards
The New Writing Festival was one hell of an experience. Chloe Courtney has done fantastic things this year, helping to transform a little known event into something prestigious, established, and utterly exciting. There was the most extraordinary amount of talent in the Burton Taylor on Saturday of 7th week and I felt extremely privileged to be there, rubbing shoulders with people who will most probably end up calling the dramatic big shots in years to come. Judging the Best Production was a fascinating …
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St John’s College Auditorium
Friday 5th – Saturday 6th March; 7.30pm
“Acted with verve and dynamism, however, this is a generally excellent production. Thoughtfully staged and skilfully orchestrated, Tess Ellison’s direction draws out the pathos of the narratives, without sacrificing pace and energy.” Vicky Pearce
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Oxford Playhouse
Thursday 4th March; 7.30pm
“Unfortunately, most of the music was plodding and pedestrian, the singing at times painful and the lyrics twee , with some notable exceptions (the first and last time you’ll hear ‘fluorescence’ rhymed with ‘tumescence’).” Henry Donati
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Featured, New Writing, Review, on stage »
Burton Taylor
Wednesday 3rd March, Friday 5th March, 9.30p.m., Saturday 6th March 4.30p.m.
“at times it was reminiscent of American Pie, albeit with slightly more intelligent characters, at other times it proved to be interesting and affecting.” Robert Holtom
“O’Brien missed a trick; had he written four inter-locking monologues to the strength of those already present he would have carried the competition.” Paul Hardwick
Comedy, Review, on stage »
Oxford Playhouse
Wednesday 3rd March; 7.30pm
“I think that Hughes tried to include the audience to a fault. If he had not poked fun and had stuck more to the overall plot of his show, I would have found it to be more interesting.” Sarah Groneck
“To begin with, Hughes not only greeted his audience, but made us greet each other, which met with mixed success. Generally, however, the audience were on good form all evening, and many of the most comic moments came from them” Claire Morley
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