“On paper, everything ticked the box in this production, yet I rarely forgot the actors were working from a script or following stage directions. I never became emotionally involved with the characters or action, and the harrowing plot line, with three hostages stuck in a Lebanon prison, made this all the more disappointing.” Imogen Sarre

“I give it three out of five stars only because Lady Macbeth grabbed my hand during a soliloquy. I knew she loved me. I knew it from the moment she stared deep into my eyes and said, “Unsex me here, and fill me from the crown to the toe topful of direst cruelty!”” Garrett Mostowski
“Suggestions?  Don’t sit in the back because you won’t be able to see anything.  Be prepared to turn around a lot, as parts of the play are performed at the back of the stage.  And, …

“You’ve got a ready-made hotbed of lust and sex. Betrayal. Hatred. Flaming, poisonous crowns and murdered children. Vengeance and passion. More girl power than a ten-woman hen night. Frankly, you’d be forgiven for thinking that all this would be theatrical enough without needing to signal every single moment of drama with little drum rolls, as this production did.” Madeline Wright

“David Ralf was a hammy joy as both the bumbling, voluble logician and the brash, chippy Northern rhinosceptic Botard, who later converts in an attempt to “move with the times.” Ed Cripps
“Ionesco’s Rhinoceros is absurdist theatre at its most absurd. We, the audience, are helpless witnesses of the demise of a small French community as its members transform one-by-one into rampaging, snorting, multi-horned, rhinoceroses.” Liv Edwards

“Never have I seen an actor blend more seamlessly with a play and create something truly unique, truly artful.  Fortes was the backbone of the production.” Greg Fox
“It is hard to imagine that student productions, in terms of drama, can be more accomplished than this highly ambitious and remarkably unpretentious offering.” Olivia Williams